STOP THE VIOLENCE! Frenzy is a Lebanese Canadian from home town Calgary AB who started the Stop The Violence project 2 years ago to make a difference in our community and ended up touching people from all over the world. Please help spread the message by sharing and creating awareness in your city, in your community and in your country. There has been way too many people affected by senseless violence especially kids! We need to start somewhere R.I.P Mylan Hicks, Brando Walker and all of our other fallen soldiers out there. Share this video and LETS MAKE A REAL CHANGE! #stoptheviolence #leaders #kids #calgarystampeders
Produced by: Wyatt Erb Feat. J Pesos & Miz QT Directed and Produced by Frenzy
Follow us!! INSTA @frenzybaby TWITTER @frenzybaby FACE BOOK Fredie Frenzy Hamdan Stop The Violence Change The Kids
Music video by SonReal performing Hot Air Balloon. (C) 2016 Black Box Recordings Inc. / The 1851 Recordings Inc. Under Exclusive Licence To Capitol Records
Another dope one from Clairmont The Second. Had to give it the Canadian spelling though!
“No Favors” Written & Performed by Clairmont The Second
Video Direction: Clairmont The Second D.O.P: Clairmont The Second Cinematography: Aysha Brown, Shane Bramwell a.k.a Hezi, Clairmont The Second Editor: Clairmont The Second Treatment: Clairmont The Second
Stream & Download “No Favors”: https://soundcloud.com/clairmontthese… Stream & Download “Quest For Milk and Honey”: https://soundcloud.com/clairmontthese…
More dopeness from the Red Bull Music Academy. KAYTRA!!!
Montréal’s own production star and 2016 Polaris Prize winner Kaytranada joined Anupa Mistry on the lecture couch for a wide-ranging conversation on his musical upbringing and synthesis of diverse tastes into a sound that’s entirely his own. This lecture coincided with the debut of a new episode of The Junction, an animated tale of Kaytranada and 2016 Academy participant River Tiber’s creative encounters.
The Red Bull Music Academy is a global music institution committed to fostering creativity in music. We celebrate music, its culture, and the transformative minds behind it. Begun in 1998, the Academy has taken the core principles that underlie its annual workshop for selected participants and applied this curatorial approach to events, lectures, and city-wide festivals throughout the year.
If you crossed paths with WondaGurl, consider yourself blessed. Although she’s a shy and kind girl on the surface, she’s one of the meanest producers in the game. Since learning some tricks of the trade from Boi-1da, she’s been getting placements with Travis Scott (“Antidote” & “Uptown”), Jay Z (“Crown”), Drake (“Used To” & “Company”), SZA (“Teen Spirit”), and Rihanna (“Bitch Better Have My Money”). That’s not all of her credits either.
After hitting up Rotate This, WondaGurl ends up with Solid Sound’s “A Wooden Box,” Images In Vogue’s “In The House,” and The Magnolias’ Concrete Pillbox. Laying The Magnolias to the side, Wonda uses samples from the other two records for a bass heavy beat. Watch her craft the banger above.
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What started as a humble graffiti ‘zine in 1996 would soon grow to be one of the most trusted outlets for youth-spawned urban culture. Today, Mass Appeal is a media collective led by authentic voices and inspired minds. We are a platform for radical creatives who are transforming culture.
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Introduction to Dillin Hoox. Putting this up more so for the subject matter rather than the overall execution of the song (as it’s obviously pretty dated sonically). Always good to know that MCs are still out there trying to talk about the problems of the world though. It’s easy to forget that there are still socially/politically conscious rappers out there…
Dillin Hoox was born in Mahabad, Kurdistan, midway through the horrific Iran-Iraq war where his family barely avoided Saddam Hussein’s chemical attacks against his people. In the first few years of his life, Hoox’s family immigrated to Canada, leaving behind a hostile and oppressive environment and uncertain future. After moving from coast-to-coast, living in both Halifax and Vancouver, his family settled in Ottawa – the capital city he proudly represents today. In Ottawa, he earned his BA in Psychology from Carleton University.
Born into a family of poets, Hoox has a natural ability to paint a picture with words; expressing his thoughts and piecing together his emotions through his lyrics. As a young artist, he is determined, inspired, witty, and well-spoken. Through music, Hoox showcases his inner-thoughts regarding the struggles of Kurdistan and the plight of the Kurdish people.
Written & performed by: Dillin Hoox Produced by: Diract Beats Video by: Concrete Films
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Premiering On Noisey Mic Outlaw releases a new visual/single from His upcoming 3rd project “Oragami” Song: “Bathing Ape” Directed By: Mic Outlaw Shot & edited By: @CharltonVisuals https://www.instagram.com/micoutlaw/ https://www.facebook.com/MicOutlawFan… https://www.twitter.com/mic_outlaw
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Canada isn’t perfect, but according to Tory Lanez, Black people get better treatment from the police. Here’s part 1 of his conversation with Headkrack and Gary With Da Tea on “The Rickey Smiley Morning Show.” bit.ly/rsmsvideos #RSMS
Dope! Over an hour of choperation with the one and only Kardinal Offishall.
For decades, Toronto hip-hop fans have understood their own sound: a hybrid of east coast boom bap and west coast melodies with an aesthetic style and cadence derived from the Caribbean. Rapper and producer Kardinal Offishall wasn’t the first from the city to come up with this but he did perfect it and, in doing so, established Canada’s inaugural contribution to hip-hop’s canon of regional sounds. Kardi’s ingenuity won him awards and the respect of his American peers and it gave aspiring musicians leverage to leap over the structural limitations of the local industry, and express themselves as defiantly Canadian — no matter where their families originate. Kardinal looks back on his career in this lecture at the 2016 Red Bull Music Academy.
The Red Bull Music Academy is a global music institution committed to fostering creativity in music. We celebrate music, its culture, and the transformative minds behind it. Begun in 1998, the Academy has taken the core principles that underlie its annual workshop for selected participants and applied this curatorial approach to events, lectures, and city-wide festivals throughout the year.
